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Posts Tagged ‘Tolkien’

The more I learn about the early Christian church, and the world of the ancients, the better I understand and appreciate J.R.R. Tolkien, The Lord of the Rings, and his full legendarium.  One interesting aspect of Tolkien’s world, similar to that of Holy Scripture, is the question of “canon” and what it includes.  For Tolkien’s massive collection about Middle Earth has an interesting historical feature in common with the word of God and our Bibles, something that truly highlights the “sub-creation” aspect of Tolkien’s work and his role as a “sub-creator.”

As we know, the Bible is a collection of many books that were written at many different times and places, and for which exist numerous manuscript versions with some manuscript differences.  Similarly, Tolkien’s world actually consists of multiple writings, from numerous times during Tolkien’s life — starting around the time of World War I, up until shortly before his death; he continued revisions, creating different versions of stories.  In our real world, in ancient times Christians worked with many different books within the full collection of what would later be bound together as “The Bible,” forming an official “canon” after several hundred years; and in modern times, scholars have studied the variations in Bible manuscripts within this canon collection.  Again, within the Tolkien fandom world, many people have tried to come up with an official, definitive canon of Tolkien’s legendarium, examining the differences in the different manuscript versions of Tolkien’s stories.  After all, J.R.R. Tolkien’s massive writing collection — of which he never discarded old versions — became a lifetime work for his son Christopher, to sift through all of the writings and publish the various works such as Unfinished Tales, Lost Tales, and numerous volumes of the History of Middle Earth.  Note these web pages that talk about the Tolkien canon: Tolkien Gateway Canon and an Ask Middle Earth post.  Note this observation from the second link:

This is a question that every reader has to – or gets to, depending on your point of view – answer for themselves. Some readers believe that whichever version was published in one of the “main” works (The Hobbit, LotR, and The Silmarillion) is canon. Others believe that whichever version Tolkien wrote last is canon. Others go on a case-by-case basis, essentially choosing their favorite versions of each story to be canon. And of course there’s the Global Theory, which argues that they’re all canon. It’s entirely up to you, and (no matter what anybody might tell you) there really isn’t a wrong answer.

As mentioned on one of the older Amon Sul podcasts, when we look at Tolkien’s own words within the story, we see that even Tolkien himself did not have a final, definitive version of all the tales, in his own imagination — as though the world existed on its own, outside of Tolkien’s imagination.  Tolkien himself seemed to be content with some level of “mystery” and lack of conclusion regarding these legends within Middle Earth.  Here I recall also, from reading The Letters of J.R.R. Tolkien, places where Tolkien described certain characters coming onto the scene, and his own reaction to these new characters — such as Faramir, in letter 66:

A new character has come on the scene (I am sure I did not invent him, I did not even want him, though I like him, but there he came walking into the woods of Ithilien): Faramir, the brother of Boromir – and he is holding up the ‘catastrophe’ by a lot of stuff about the history of Gondor and Rohan (with some very sound reflections no doubt on martial glory and true glory): but if he goes on much more a lot of him will have to be removed to the appendices

Regarding the uncertainty, though, we note for instance in The Silmarillion, places where the writing simply says “Some say that…”  or “others say…” such as these excerpts:

Some say that it was Mandos himself, and no lesser herald of Manwë.

Aforetime it was held among the Elves in Middle-earth that dying the Dwarves returned to the earth and the stone of which they were made; yet that is not their own belief. For they say that Aulë the Maker, whom they call Mahal, cares for them, and gathers them to Mandos in halls set apart;

What may befall their spirits after death the Elves know not. Some say that they too go to the halls of Mandos; but their place of waiting there is not that of the Elves, and Mandos under Ilúvatar alone save Manwë knows whither they go after the time of recollection in those silent halls beside the Outer Sea.

Thus, we can know with certainty the vast majority of the story of Middle Earth, allowing for some variations and different versions on minor points.  But the idea of a “canon” (something that has great precision,100% defined and conclusive) may not be the best approach to Tolkien’s world.  As mentioned in my last post , there is instead a type of ritual participation within the community of Tolkien fandom, a ritual that we can return to with repeated readings of Lord of the Rings through the years, for instance.

In a similar way, the early Christian church had a number of various scrolls that were considered part of the sacred writings, which were circulated, yet would not be bound together into one volume until many centuries later.  This collection of writings — which included many books that are now considered Deuterocanonical, or as “apocrypha” (by Protestants)  — served along with apostolic tradition for the early Christians, as what they shared in their ritual participation, their Christian communal experience.

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An interesting point brought up in an Amon Sul podcast (episode #24), in relation to myth and story:  in our modern world, people often focus on “how can I relate to this person?” and similar questions.  As for example, which character in Tolkien’s world am I most like, or which one do I want to be like?  Modern people often ask, how do I relate to such people who are not ordinary, who do not have “ordinary” lives such as mine?  So it is in our modern, very psychologized world.  This can be seen as a symptom of modernism with its stress on individualism and lack of community.  A key part of community life, in contrast with our age, is that of ritual participation: the repeated, common experiences of a group of people, such as in observances in the calendar each year.  Such was the experience in pre-modern societies, whether pagan or in the early and then medieval Church.

In our age, science fiction and fantasy fiction lend themselves to a type of ritual participation: dressing up in costume, going to Star Trek or other sci-fi or fantasy conventions, for instance.  I remember my early days attending such events every year.  Lord of the Rings is another entry into ritual participation:  Doxamoots and related convention gathering events, but also the simple pleasure of the repeated experience found in re-reading through Lord of the Rings every year or at set times of the year.

On this note, I have even come across a reading schedule for Lord of the Rings.  It’s like a yearly Bible reading schedule, but for all the days of Lent (about 2 months) – and with specific chapters for assigned reading each day.  The schedule is even adjusted each year, with the 2023 reading schedule available here.  Various blogs have followed the Lent schedule, with posts related to the reading in the Lent schedule, such as this post from a few years ago, and also this post from 2015.  There’s even a Lenten Lord of the Rings podcast that provides daily updates, brief “devotional” thoughts on each day’s reading.

It’s certainly an aggressive schedule, one that I’m not sure if I’d be able to complete every day, but I think I’ll give it a try.  I may include audio book reading, with the audio book version (unabridged) I have (read by Rob Inglis).  Of course, Lent season is still four months away, and I completed this year’s reading of Lord of the Rings a month or so ago, to start on The Silmarillion now.

What are some other ideas and reading schedules for Lord of the Rings reading, or for reading of Tolkien’s other works?

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I’m revisiting the Chronicles of Narnia series after many years, and just finished the second one in the series, Prince Caspian.  When people mention their favorites within The Chronicles of Narnia, they usually mention the first one (The Lion, the Witch, and the Wardrobe), and a few others often get mentioned.  Prince Caspian, sometimes subtitled The Return to Narnia, is usually not in the list of the top favorites.  Indeed, in the reviews at Goodreads, I noted one reviewer’s three star rating, with criticism that Prince Caspian  doesn’t have much action in the story – mainly a lot of travelling and celebrating — and that the book’s only “spiritual lesson” is Aslan’s invisibility and the step of faith they take in following his lead, and then as they follow him they can see him.

I agree, that is one great spiritual lesson, in which Lucy is more spiritually-inclined and sees Aslan, and then realizes that she must follow Aslan, even when the other children (all older than her) don’t believe her — and that she must follow him even if the others won’t go with her.  As referenced above, at the second sighting of Aslan, on Lucy’s insistence, the others do follow after Lucy who follows Aslan — and then gradually the others (first Edmund, then Peter, and lastly Susan and the Dwarf) are able to see Aslan.

Yet even Prince Caspian has many other spiritual lessons, as well as points that might not seem all that significant in our modern / post-modern rationalist world.  Especially near the end, we see several more allusions to biblical truth, including the great scene where Aslan asks Caspian if he thinks he’s ready to be a king — revealing young Caspian’s humble response (rather like the young King Solomon).  Another great scene occurs with Reepicheep and his fellow mice.  When Reepicheep’s friends show their willingness to cut off their own tails (to match Reepicheep’s wound), Aslan responds favorably, in a scene that reminds me of the “faith of a few close friends” that brought their paralyzed friend on a mat down through the roof of a house, in front of Jesus for healing (Mark 2:1-12).

You have great hearts!  Not for the sake of your dignity, Reepicheep, but for the love that is between you and your people, and still more for the kindness your people showed me long ago when you ate away the cords that bound me on the stone table …. you shall have your tail again.

But now to another very intriguing aspect of Prince Caspian:  the historical belief in this world of “faeries” — or as C.S. Lewis referred to them in “The Discarded Image,”  longaevi (“long-livers”): so as to not confuse his readers with a term co-opted by Disney for a very different usage.  Here is a four-part series with interesting information, noting the pre-modern belief, in every culture throughout the world — up until the Enlightenment age — in nature spirits:

These articles mention C.S. Lewis and his belief, as well as writings from J.R.R. Tolkien, but also from the early Church Fathers and one prominent modern-day Orthodox Christian.  As I read these articles, I thought also of Prince Caspian — maybe we 21st century modernists and urban dwellers are like the Telmarines, who rejected belief in the spirits of nature and kept away from Old Narnia.  Interestingly enough, the writer of these articles also mentioned Lewis’ Prince Caspian, in this very connection:

While many other examples could be given from the writings of Lewis, Prince Caspian is another book worth mentioning — the entire story revolves around the reenchantment of Narnia after all of the trees had fallen asleep and the few talking animals and magic creatures left alive had all retreated deep into hiding, following generations of rule by “Enlightened” men who did not believe in foolish superstitions.

A similar idea comes out in Tolkien’s The Two Towers, in the second part of King Theoden’s healing.  After Gandalf has restored Theoden to his right mind, and removed him from Wormtongue’s bewitchment, Theoden has a second startling experience to re-shape his world.  He suddenly finds that the “nursery tales” that he never paid attention to, are quite true, and he observes them, the trees which have been there through the ages:

‘They are the shepherds of the trees,’ answered Gandalf.  ‘Is it so long since you listened to tales by the fireside?  There are children in your land who, out of the twisted threads of story, could pick the answer to your question.  You have seen Ents, O King…. Did you think that the name was given only in idle fancy?  Nay, Theoden, it is otherwise: to them you are but the passing tale; all the years from Eorl the Young to Theoden the Old are of little count to them; and all the deeds of your house but a small matter.’

(Theoden) ‘Out of the shadows of legend I begin a little to understand the marvel of the trees, I think.  I have lived to see strange days.  Long we have tended our beasts and our fields, built our houses, wrought our tools, or ridden away to help in the wars of Minas Tirith.  And that we called the life of Men, the way of the world.  We cared little for what lay beyond the borders of our own land.  Songs we have that tell of these things, but we are forgetting them, teaching them only to children, as a careless custom.  And now the songs have come down among us out of strange places, and walk visible under the Sun.’

As I continue to explore the worlds of Narnia and Middle Earth, along with study of the early church, it is fascinating to find out about the truths and possible truths behind the ancient legends.

I welcome your thoughts here.  What do you think about the faeries, from the points mentioned here in this post, as well as from the linked articles?

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In Return of the King, chapter “The Land of Shadow,” Sam and Frodo are creeping slowly through Mordor, and everything around is gloom and dark, in every literal way imaginable, in a landscape comparable only to the horrors of war (with reference indeed to Tolkien’s experience of World War I). Suddenly Sam has a moment of experiencing the transcendent, a look beyond what is “under the sun.”

Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach. His song in the Tower had been defiance rather than hope; for then he was thinking of himself. Now, for a moment, his own fate, and even his master’s, ceased to trouble him.

At a similar dark hour, when Sauron’s forces are coming against Minas Tirith, Pippin experiences that moment of hope and joy, in the face of Gandalf:

Pippin glanced in some wonder at the face now close beside his own, for the sound of that laugh had been gay and merry. Yet in the wizard’s face he saw at first only lines of care and sorrow; though as he looked more intently he perceived that under all there was a great joy: a fountain of mirth enough to set a kingdom laughing, were it to gush forth.

These scenes and many others reflect our moments of joy and hope (in the midst of trials), those experiences of God’s presence here in our fallen world: the beauty of a star, or the experience of a nice sunny day and recalling that feeling of a vacation trip and being at ease and at peace with God.  Just as in our world, throughout Lord of the Rings Iluvatar reveals Himself to the characters in various ways, such as in moments of beauty and calm, as well as in providential signs, or dreams and visions of future scenes.

Looking for a Sign

In another situation, Aragorn the new king of Gondor looks for a sign, and is dismayed because the expected answer still has not come. Iluvatar’s purpose unfolds in an unexpected way.  In our world too, we sometimes look for a particular sign, an indication of God’s direction and will for our lives – and the answer to the prayer, the request, does come, though often not as we expect.  From book six of Return of the King:

[Aragorn] ‘The Tree in the Court of the Fountain is still withered and barren. When shall I see a sign that it will ever be otherwise?’

‘Turn your face from the green world, and look where all seems barren and cold!’ said Gandalf.

Immediately, when Aragorn looked in that direction, there was the sign: the sapling tree.

as he looked he was aware that alone there in the waste a growing thing stood. …

I have found it!  Lo, here is a scion of the Eldest of Trees!  But how comes it here?

Dreams and Visions

Then there is Frodo’s dream of the green country, at the house of Tom Bombadil — and its fulfillment in the Grey Havens:

Either in his dreams or out of them, he could not tell which, Frodo heard a sweet singing running in his mind; a song that seemed to come like a pale light behind a grey rain-curtain, and growing stronger to turn the veil all to glass and silver, until at last it was rolled back, and a far green country opened before him under a swift sunrise.  The vision melted into waking.

Like the apostle Paul, who could not tell if he was in or out of the body when he had a great vision (2 Corinthians 12:2-3), so Frodo knew what he saw, but could not tell if it occurred in dreams or “out of them.”  And Frodo similarly received many sufferings, as did the apostle Paul — as part of the package deal, for those who receive visions must also be kept humble.

Nothing more is said about this vision, until the very end.  But there at the end, Frodo finally arrives in the place of rest (heaven), the destination of those on the ship in The Grey Havens:

And the ship went out into the High Sea and passed on into the West, until at last on a night of rain Frodo smelled a sweet fragrance on the air and heard the sound of singing that came over the water.  And then it seemed to him that as in his dream in the house of Bombadil, the grey rain-curtain turned all to silver glass and was rolled back, and he beheld white shores and beyond them a far green country under a swift sunrise.

In Lord of the Rings – and also in the rest of Tolkien’s legendarium – we have such abundance of literary material, and the many story incidents that we can relate to, noting the parallels to our world and life experience.  These events are just a sampling, of the seemingly endless supply for our analysis and enjoyment.

Readers, please share, some other examples of these types of things — Iluvatar’s presence, in special scenes, and signs and visions.

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One of Tolkien’s many themes in Lord of the Rings is that of repentance.  As Matthew Dickerson noted in Following Gandalf, Tolkien was not that direct in the use of “religious” terminology – so instead he used the word “cure.”  Tolkien actually used the word “cure” in many different contexts, to also refer to Frodo being cured of the wound received at Weathertop, and even in Gandalf’s impatience with Pippin’s inquisitiveness:  ‘If the giving of information is to be the cure of your inquisitiveness, I shall spend the rest of my days in answering you.’  Yet throughout, Gandalf specifically mentions a “cure” that is desired for Gollum, which we understand as a moral cure, to heal his soul of the malice and evil “that eats it like a canker” as Faramir described it, to bring Gollum back to the real world of interaction with the good characters of Middle Earth.  This cure is sought by many, including the elves and later Frodo, with reference back to Gandalf’s wish.  Consider:

Gandalf’s speech to Frodo in Fellowship of the Ring:

Many that live deserve death. And some that die deserve life. Can you give it to them? Then do not be too eager to deal out death in judgement. For even the very wise cannot see all ends.  I have not much hope that Gollum can be cured before he dies, but there is a chance of it.  …

Then from Legolas’ words at the Council of Elrond:

But Gandalf bade us hope still for his cure, and we had not the heart to keep him in dungeons under the earth, where he would fall back into his old black thoughts.

Frodo later referenced Gandalf’s wishes regarding Gollum, to Faramir:

‘The creatue is wretched and hungry,’ said Frodo, ‘and unaware of his danger.  And Gandalf, your Mithrandir, he would have bidden you not to slay him for that reason, and for others.  He forbade the Elves to do so.’

Throughout, we see that the means to this ‘cure’ is kindness and mercy, and in Gollum we see such a vivid picture of what it really means to ‘turn the other cheek’ and show mercy to an enemy, to show God’s loving-kindness to a wretched sinner, in remembrance of our own wretchedness and our own undeservedness.

Particularly interesting in the case of Gollum, is that the ‘treatment’ does start to work, with temporary results.  Consider that Gollum had possession of the Ring for many hundreds of years, and yet even he starts to respond to the kindness of Frodo, sometimes acting like a dog wanting to please his master.  This trait is especially striking in contrast to Saruman and Denethor, neither of whom actually possessed the Ring but desired to have it (for their own uses), and yet were thoroughly hardened, with consciences seared; both of them were similarly given opportunities to repent, but rejected it as not even a possibility.  Within the story, the difference we see with Gollum would at least partly be attributed to the particular hardiness, that quality of hobbits as superior to other types of beings.  In the Gollum story, we see – as noted, for instance, near the end of episode #3 of the Amon Sûl podcast (Exploring the Tolkien Legendarium with the Christian Faith) — that God’s mercy can be shown to the worst of sinners, in hopes of their repentance.

The precept for Gollum’s treatment is given us in Romans 2:4: Or do you think lightly of the riches of His kindness and tolerance and patience, not knowing that the kindness of God leads you to repentance?  

I also think of the Old Testament story of wicked King Ahab – as bad as he was (and we are often told of his great wickedness), yet we finally see a type of repentance, albeit a temporary one, in 1 Kings 21:27-29 – a conscience so severely hardened yet capable of enough of a response to the pronounced judgment, that God deferred the judgment, not on Ahab himself but to occur in his son’s days.  Like Gollum’s, this was not a saving repentance unto eternal life, but temporal only.

Then we have, in the New Testament, the well-known account of Judas Iscariot.  Our Lord Himself – of whom Frodo is recognized as a type, an illustration – extended kindness to Judas as one of the 12, kindness that continued to the very end.  Though Christ knew all along the true nature of Judas – “one of you is a devil!” – yet Judas received the same gifts as the other disciples when they went on their missionary trips, and Judas received the same common blessings in the company of the other eleven.  Even at the end, Jesus handed the sop to Judas – an appeal of friendship.

Tolkien himself, in The Letters of J.R.R. Tolkien, described the key scene that brought about the failure of Gollum’s cure:  that poignant moment when Gollum returned to the hobbits upon the stairs of Cirith Ungol, when he reached out a hand as a caress, to touch Frodo.  But then Sam woke up, and Sam as “the mean hobbit” who had not participated in the “kindness treatment,” in his insensitivity accused Gollum of pawing at his master – and the moment was lost, beyond recall.  Here, too, in Sam’s failure, we see such realism.  Isn’t that how it often is in our lives?  Sam is such a hero, and has such great moments, yet – like the saints of God throughout the ages, in the Bible as well as throughout church history – has his character flaws as well.

The character of Gollum and events surrounding him are fascinating, with such complexity that could be discussed in multiple podcast episodes (again, as noted by the hosts at the Amon Sûl podcast on Tolkien’s Middle Earth) as well as numerous blog posts.  But these are some thoughts on this topic, for further discussion and considerations.

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A friend had recommended some Tolkien resources, including Matthew Dickerson’s books such as Following Gandalf and A Hobbit Journey.  So, I’ve purchased and am now reading through Following Gandalf; since then I’ve realized that the second book, A Hobbit Journey, is similar content, with most of the same chapters, an updated version of Following Gandalf.

Dickerson’s writing is interesting, with a lot of good details, and so I’ll start with the content in chapter 1: Epic Battles.  Here, Dickerson looks at Tolkien’s view of battle and war, by noting the four battles (one in The Hobbit, and three in Lord of the Rings) plus the skirmish that Sam witnesses (where he sees an Oliphaunt)  and how they are described, to show that — contrary to a colleague’s perception — Tolkien does not glorify violence and war.  The battles of course are mostly told from the hobbits’ perspectives:  Bilbo, Sam, Merry, and Pippin — with one exception, Helms Deep, that the hobbits are absent from.  Each narration from the seemingly most unimportant character (a hobbit), one that is not a participant in the battle, along with descriptions about misery and being uncomfortable, and sad and sorrowful (especially in Merry’s experience at the “Battle of the Pelennor Fields”), shows Tolkien’s view of the unpleasantness of war.  For instance, the words of Sam after the fight between Faramir’s men and the Southrons:

It was Sam’s first view of a battle of Men against Men, and he did not like it much. He was glad that he could not see the dead face. He wondered what the man’s name was and where he came from; and if he was really evil of heart, or what lies or threats had led him on the long march from his home; and if he would not really rather have stayed there in peace.

Dickerson brings out interesting details regarding the Rohirrim as like the Anglo-Saxons (with the addition of a love of horses not known of Anglo-Saxons).  Certainly the general impression of the people of Rohan is that of northern Europe, such as the Vikings.  But a literary reference to Beowulf makes the connection to the Anglo Saxons.  The “welcome” from the guard to Gandalf, Aragorn, Legolas and Gimli in book three of The Two Towers, follows the pattern of the welcome given to Beowulf and his warriors by the beach guards, a scene where they visit Hrothgar.  Dickerson shows us the wording of the two speeches, with the same basic wording, sentence structure and sequence, with just a few words changed, in relation to the specific plot points.

We also have good analysis of the complex character of Eowyn — Tolkien’s Eowyn, not the Peter Jackson movie “dumbed-down” young woman who just has a crush on Aragorn.  Keeping to the battle theme, Dickerson points out more specifically that her desire for death in battle was an Anglo Saxon ideal.

In sparing her from death, Tolkien gives his reader the opportunity to see the healing she later finds.   It is by the author’s grace that Eowyn does not die but is able to learn that the type of glory she sought earlier is not the answer.”  Eowyn’s “illness” is a desire for glory.

Tolkien, in his caring, thoughtful portrayal of Eowyn and her later healing, also makes it clear that it not “solely a womanly virtue to abandon the glories of the battlefield, and turn instead to the house and garden and the pursuit of peace, but as a manly virtue as well.”  The later chapter in book 6 of Return of the King, “The Steward and the King,” is a great conclusion to the healing of both Faramir and Eowyn.

Dickerson’s commentary on the “Contest” at Helm’s Deep between Legolas and Gimli is also worth reading, for any who might still think that Tolkien glorified war.  It is interesting that the Helm’s Deep chapter is where we see several friendships developed and/or strengthened: Aragorn and Eomer, Gimli and Eomer, and especially the strengthening of the friendship between Gimli and Legolas, as we see their real concern for each other.

I’m now nearing the end of Following Gandalf, with lots of additional thoughts on many more topics in Tolkien’s Middle Earth.

 

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